Veteran columnist and author Shobhaa Dé has entered the heated debate surrounding the film Dhurandhar, offering a robust defence of the project. Her intervention comes at a time when the cinematic landscape is embroiled in intense discussions over politics, artistic freedom, and the nature of film criticism.
A Veteran Voice Weighs In
On January 11, 2026, Shobhaa Dé publicly shared her perspective on the ongoing controversy. She did not merely offer a mild endorsement but launched a strong defence of the film, which has been facing significant backlash from certain quarters. Her comments have added a fresh and influential layer to an already explosive national conversation, forcing the industry and audiences to re-examine their positions.
Central to Dé's argument is a pointed critique of the reported takedown of critical reviews of Dhurandhar. She has raised serious questions about this action, implicitly linking it to broader issues of free speech and expression. For Dé, the act of silencing or removing dissenting critical voices sets a dangerous precedent for artistic discourse in the country.
The Call for Fair Judgment
Beyond the immediate issue of review removal, Shobhaa Dé's core plea is for cinema to be judged fairly and on its own merits. She urges audiences and critics alike to look beyond the swirling political narratives and online mob mentality that often dominate such debates. Her stance is a call to return to a more nuanced and principle-based evaluation of art, separating the cinematic product from the external noise.
The columnist's entry into the fray is significant given her long-standing status as a cultural commentator. It underscores that the Dhurandhar controversy is not a fleeting social media storm but a moment that touches upon fundamental questions about the intersection of art, politics, and public discourse in contemporary India.
Broader Industry Implications
The ripples of this controversy are being felt across Bollywood. Reports suggest that Dhurandhar's unexpected success is forcing the industry to reconsider established formulas and rewrite its own rulebook. Furthermore, the film has reportedly become collateral in a larger battle, with other major releases like Prabhas's The RajaSaab getting dragged into the narrative.
Shobhaa Dé's defence, therefore, arrives at a critical juncture. It champions the idea that a film should succeed or fail based on its artistic vision and audience connection, not through the suppression of opposing views or partisan campaigns. Her comments serve as a reminder of the need to protect the space for honest critique, which is essential for any vibrant creative industry.
