The much-anticipated Kannada film '45', headlined by actor-filmmaker Upendra, has kicked off its theatrical journey on a highly promising note. The film, which hit screens on Thursday, has demonstrated robust box office performance right from its first day, signaling a strong audience pull.
Impressive Box Office Numbers and Occupancy
According to industry estimates, '45' garnered approximately Rs 4.25 crore net in India on its opening day. This solid start is further reinforced by the occupancy data reported by industry trackers. The Kannada version of the film recorded an impressive overall occupancy of 69.21% on its opening day.
The day saw a significant upward trend in audience turnout. Morning shows began with a 44.56% occupancy. This figure witnessed a substantial leap during the afternoon shows, climbing to 76.04%. The momentum held strong through the evening, with occupancy at 78.91%, and night shows maintained a healthy 77.34%.
Star-Studded Cast and Directorial Vision
The film is directed by Arjun Janya, who is primarily known as a music composer, making his directorial debut a notable event. '45' boasts a powerful ensemble cast featuring veteran star Shivarajkumar, Upendra, Raj B. Shetty, Rajendran, and Pooja Ramachandra in pivotal roles. Marketed as a serious and intense cinematic experience, the film promises the philosophical depth and unconventional storytelling that audiences often associate with Upendra's projects.
Early Reviews Praise Ambition and Technique
Initial critical reactions to '45' have been mixed yet intriguing, highlighting its ambitious scope. A review from ETimes notes that the film is technically impressive, with polished cinematography and an effective background score. Director Arjun Janya makes a distinct choice to forego songs entirely, maintaining a focused narrative pace.
The review also points out that the VFX work is commendable in parts, though it can be inconsistent. A major talking point is the film's climax, which takes a sharp turn into spiritual territory, a move described as potentially overwhelming yet enthralling for viewers.
The consensus from early reviews suggests that '45' is a film packed with ideas and ambition, sometimes to the point of having too many. While its core philosophical message about life and death occasionally gets interspersed with mass-action elements and fan service, critics acknowledge it as a unique attempt. For viewers, especially fans, willing to engage with its vision, the film offers several memorable moments.
The strong opening day performance sets a positive stage for the film's weekend run. All eyes will now be on whether '45' can sustain this initial momentum and how its unconventional narrative resonates with wider audiences in the coming days.
