Marathi cinema's contribution to India's cultural tapestry extends far beyond compelling narratives. It has gifted the world an irresistible soundtrack for life's biggest celebrations, from weddings to college festivals. These songs, often powered by energetic beats and graceful lavani sequences, have carved a permanent niche in pop culture, inspiring viral dance moves that unite generations on dance floors everywhere.
The Unstoppable Party Anthems
When it comes to instant energy, few tracks can match the nationwide sensation of Zingaat from the film Sairat. Composed and written by the prolific musical duo Ajay-Atul and sung by Ajay Gogavale and Atul Gogavale, this high-voltage number became a phenomenon. Its pounding rhythm is synonymous with the lively, free-spirited hand and shoulder motions that define its iconic hookstep. Picturised on actors Akash Thosar and Rinku Rajguru under Nagraj Manjule's direction, the song's youthful abandon makes it a staple at every Marathi party and sangeet.
For pure, unadulterated dancefloor energy, Dolby Walya from Jaundya Na Balasaheb is a guaranteed crowd-uniter. Sung by Nagesh Morwekar and Earl Edgar with catchy rap inflections and composed by Ajay-Atul, its pulsating beat and cheeky lyrics invite a bounce, clap, and spin style movement. Similarly, the playful Kombdi Palali from Jatra (starring Bharat Jadhav and Kranti Redkar) gets everyone clapping with its simple shoulder sways and foot taps, making it perfect for group choreography and social media reels.
The Elegance of Lavani & Folk Traditions
Marathi cinema also shines in its presentation of traditional dance forms. Apsara Aali from Natarang is a classic example, blending folk rhythm with cinematic flair. Composed by Ajay-Atul and beautifully sung by Bela Shende, the song is visually carried by Sonalee Kulkarni. Its hookstep focuses on controlled, graceful classical styling—elegant hand gestures and rhythmic footwork often mimicked in performances.
Another lavani gem from the same film is Wajle Ki Bara, also composed by Ajay-Atul and sung by Bela Shende with lyrics by Guru Thakur. Picturised on Amruta Khanvilkar, its electrifying yet traditional hookstep, marked by expressive hips and confident stance, makes it a favourite at cultural events.
The culturally rich Ugavali Shukrachi Chandani from De Dhakka deserves special mention. This folk-lavani song, sung by Arati Ankalikar Tikekar (who won a Maharashtra State Film Award for it) and featuring Gauri Vaidya, is rooted in rhythmic elegance. Its dance is not about speed but expressive storytelling through footwork and gestures, perfect for classical-inspired showcases.
Modern Takes on a Timeless Form
Proving the genre's evolving appeal, Chandra from Chandramukhi is a recent hit that has captured audiences. Composed by Ajay-Atul and sung by the legendary Shreya Ghoshal, the track features Amruta Khanvilkar and Adinath Kothare. Its modern lavani aesthetic, with expressive leg and hand movements, has inspired countless social-media renditions, bringing the traditional form to a new digital generation.
Together, these seven tracks represent the vibrant spectrum of Marathi film music—a powerful blend of rustic tradition and contemporary cool that continues to set the rhythm for celebrations across India and beyond.
