In a thought-provoking revelation that challenges long-held beliefs about cinema's influence on society, acclaimed filmmaker Ram Gopal Varma has made some startling observations about two of Indian cinema's most iconic films.
The Sholay Myth: No Dacoit Recruitment Drive
RGV pointed out that despite the massive popularity and cultural impact of the 1975 classic Sholay, there was no significant surge in people joining dacoit gangs after the film's release. The movie, featuring Amitabh Bachchan and Dharmendra as two criminals-turned-heroes, became a cultural phenomenon but didn't inspire real-life crime waves as some might have feared.
The HAHK Fallacy: Joint Families Remain Unchanged
Similarly, the filmmaker addressed the 1994 blockbuster Hum Aapke Hain Koun..! which celebrated traditional Indian joint family values. Varma noted that the film's enormous success didn't lead to any noticeable revival or increase in joint family systems across the country.
The Filmmaker's True Purpose
Ram Gopal Varma emphasized that these examples demonstrate a crucial truth about cinema: movies reflect society rather than dictate it. He revealed that the primary purpose of a filmmaker isn't to create social change or influence behavior, but to tell compelling stories that resonate with audiences.
"Films are mirrors to society, not architects of social structure," Varma suggested through his observations. His comments challenge the notion that cinema holds the power to dramatically alter social norms or personal choices.
Beyond Social Engineering
The maverick director, known for his unconventional approach to filmmaking, argued that expecting movies to drive social change places an unrealistic burden on filmmakers. Instead, he positioned cinema as an art form meant primarily for entertainment and emotional engagement.
Varma's perspective offers a fresh take on the ongoing debate about cinema's role in society, suggesting that while films can start conversations and reflect cultural values, their power to transform social structures might be overstated.
