Naslen K. Gafoor's film Mollywood Times has become embroiled in a controversy regarding its certification process. Reports indicate that the version screened in theaters may not align with the one submitted to the Central Board of Film Certification (CBFC) for approval.
CBFC Investigation Underway
The CBFC is currently examining the matter and gathering information before deciding on next steps. An official statement from the certification body is still pending. According to The Week, the submitted copy reportedly contained muted expletives, but audiences allegedly heard those words without modification in theaters. This discrepancy has raised concerns about a potential violation of certification rules.
Evidence Collection and Possible Notice
Reports suggest the CBFC is collecting evidence related to the case. Once the examination is complete, a notice could be issued to the producer. Under the Cinematograph Act of 1952, violations concerning certified film versions can lead to penalties. If authorities conclude a breach occurred, the producer may face legal action and financial penalties. However, no final determination has been announced yet.
Will the Film Need Re-Certification?
A key question is whether Mollywood Times will require re-certification. The film was initially cleared with a UA13+ certificate, allowing general viewing with parental guidance for younger audiences. There is no confirmation of any change to this classification, nor has the CBFC indicated whether a fresh certificate or modifications are needed.
Meanwhile, according to Manorama News, Film Producers Association president B. Rakesh stated that the organization has not received any complaints regarding the issue.
Film's Reception and Details
Despite the controversy, Mollywood Times continues to attract audience interest. Directed by Abhinav Sunder Nayak and starring Naslen K. Gafoor, the film has garnered positive reviews. ETimes noted in its review: "Abhinav, who co-wrote it with Ramu Sunil, gives a refreshingly real take on struggles in life... The ideas are compelling, but the storytelling begins to feel muddled, particularly in the second half. The bits on SC/ST privilege feel surprisingly tone deaf and needless."
The film is co-written by Abhinav Sunder Nayak and Ramu Sunil.
