Lucknow Play 'Ghar Ka Na Ghat Ka' Explores Social Taboos Through Comedy
Social Satire Play Staged in Lucknow's Buddhist Institute

Social Satire Takes Center Stage in Lucknow

The International Buddhist Research Institute Auditorium in Lucknow witnessed a remarkable theatrical performance on Thursday as Akanksha Theatre Arts presented Jayavardhan's celebrated play 'Ghar Ka Na Ghat Ka'. Directed by the talented Achala Bose, this social satire delves deep into the complex dynamics of personal desires clashing with societal expectations, offering audiences both entertainment and food for thought.

A Story of Family Pressures and Unconventional Solutions

The narrative revolves around protagonist Aman, brought to life by actor Arun Kumar Vishwakarma, who finds himself trapped by society's age-old obsession with lineage and continuation of family bloodlines. In a dramatic turn of events, his wife Rama, portrayed by Muskan Soni, provides written consent for him to remarry solely for the purpose of producing an heir.

The plot thickens with the introduction of Priya, a widow played by Zara Hayat (Bushra Fatima), who becomes Aman's second wife. As these three characters navigate their increasingly complicated domestic situation, the story takes an unexpected turn from household harmony to courtroom chaos.

Courtroom Drama and Creative Excellence

Feeling marginalized in the unusual arrangement, Priya files a legal case that results in a surprising judicial verdict: permission for all three individuals to live together under one roof. The subsequent scenes masterfully capture the comedy and confusion that naturally arise from this unconventional living situation.

The production benefited significantly from Vijay Veer Sahay's narrative skills, which kept the story flowing smoothly throughout the performance. The visual elements were equally impressive, with Zamiya Shakeel and Shivratan creating vibrant stage designs that brought the story to life.

Devashish Mishra's lighting design added crucial texture and tone to each scene, while Shraddha Bose's background music seamlessly blended with the dramatic rhythm of the play, enhancing the overall emotional impact.

The performance successfully used humor and satire to comment on serious social issues, demonstrating how theatre can provoke important conversations about tradition, modernity, and personal freedom in contemporary Indian society.