In a world obsessed with instant filters and digital edits, there is something magical about letting sunlight do the work. At a recent cyanotype workshop at Kaee Contemporary, time seemed to slow down as leaves, lace, and everyday objects transformed into dreamy Prussian blue prints. It was not just about creating art; it was about rediscovering patience, play, and a touch of old-school wonder. The best part? You can easily bring this sun-kissed craft home.
Pics: Anindya Saha
"This art form has been around for nearly 200 years, it is a lasting practice that is being rediscovered now," said Mukulita Ganguly, multidisciplinary artist.
A Workshop Washed in Blue
Attendee Tanisha Chawla said the sessions were both creative and social. The hands-on element stood out most. "The highlight was the botanical printing on the cotton sheet. It was very unique, I might even make greeting cards out of it," she said. Explaining the process, Saikat Mondal, who conducted the workshop, said, "Cyanotype is a 19th-century photographic printing technique. Sometimes it works, sometimes it does not, but when it does, it is beautiful." He added, "People are signing up because it is simple, accessible, and can even be done at home using sunlight."
Pic: @liminalspaces_m
Taking Cyanotype Home
"It is a very easy process, materials are easily available, and you can do it at home using sunlight," explained Saikat Mondal, art practitioner. What makes cyanotype addictive is how accessible it is. You do not need a studio or expensive tools, just sunlight, curiosity, and patience. From balcony plants to old fabrics, everyday objects can become design elements. "I do not have an artistic bone in my body, or so I thought. But this felt very accessible," said Devina Sikdar, attendee, adding, "I will definitely try this again." Try creating bookmarks, postcards, or even experimenting on cloth. It is a mindful, hands-on activity that turns a slow afternoon into something beautifully tangible.
Things You Will Need
- Ammonium ferric citrate + potassium ferricyanide (kits available)
- 300 GSM watercolour paper / 100% cotton fabric
- Tools like foam brush, flat brush, or sponge
- Glass sheet or acrylic to hold objects in place
- Clips or tape
- Tray/tub with clean water
- Design elements like leaves, flowers, negatives, or objects (lace, keys, cut-outs)
"I attended the workshop out of curiosity. But it turned out so tactile and unique. I will keep experimenting with shapes, and try it on fabric," said Purbi Khemka, attendee.
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