CBFC Mutes Dialogue in 'Do Deewane Seher Mein' Before Theatrical Release
The romantic film 'Do Deewane Seher Mein' hit theaters today after receiving clearance from the Central Board of Film Certification (CBFC) with a U/A 13+ certificate. However, the certification process included a notable edit: the board muted the word "b***s" twice in the film, both instances delivered by Mrunal Thakur's character, Roshni.
Details of the Censored Dialogue
According to reports from Bollywood Hungama, the CBFC removed the word from both the audio and subtitles. The first muted line occurs during a playful exchange early in the story between Siddhant Chaturvedi's character, Shashank, and Roshni. When Shashank asks what he lacks, Roshni responds with the censored word.
The second instance appears later in a more serious scene where Roshni discusses beauty standards, adding commentary on societal norms. These edits were made before the certificate was officially issued on February 18, just two days prior to the film's release.
Film Content and Certification Debate
The report clarifies that the film contains no sexual content apart from a brief mild kiss, and the action is described as comic in tone with no bloodshed. An industry source told Bollywood Hungama, "Ideally, a film like this should have been passed with a 'U' certificate." The source added that it could have qualified for a U/A 7+ rating or even a U certificate, sparking debate over the CBFC's decision.
Director Ravi Udyawar completed the certification formalities shortly before the movie's release. The film stars Mrunal Thakur and Siddhant Chaturvedi in lead roles, blending romance with light humor, and has an approved runtime of 137 minutes and 41 seconds.
Impact on Viewing Experience
Audiences in theaters will notice short pauses where the original word was spoken, but the story remains intact despite these muted moments. Bollywood Hungama also notes an early scene where Roshni complains about a man she met; the abusive word used in that exchange is not clearly heard as family members are present in the scene.
The changes have fueled discussions about how far filmmakers can go with language in movies aimed at families, particularly when the film maintains a soft, nonviolent tone. This incident highlights ongoing tensions between creative expression and regulatory standards in Indian cinema.
