The 28th International Film Festival of Kerala (IFFK) in Thiruvananthapuram became a stage for poignant moments and global cinematic exchange this week. Filmmakers from Iran, India, and Argentina shared their journeys, highlighting the festival's unique role in bridging cultures and the challenges of contemporary filmmaking.
A Long-Awaited Moment for Iranian Cinema
Iranian director Pouria Kakavand experienced a significant milestone at IFFK, watching his film The Daughter with an audience for the very first time. His film, which delves into the psychological intricacies of imagined fatherhood, was screened in the prestigious world cinema section on Monday. During a 'Meet the Director' session held on Wednesday, Kakavand revealed a bittersweet backstory. While his film had its world premiere at the Shanghai International Film Festival earlier, the director was unable to attend due to the ongoing unrest in his home country, Iran.
Kakavand also opened up about the environment for artists in Iran, stating that filmmakers there often operate under a cloud of scepticism and face significant hurdles. This context made his presence and the warm reception at IFFK in Kerala all the more meaningful for him.
Indian and Argentinian Voices Echo Global Themes
The session also featured Indian director Sanju Surendran, whose film Kidki Gaav is competing in the international competition section. Surendran explained that his movie reflects the authentic experiences of a younger generation navigating life in the suburban landscapes of Delhi. He highlighted the international collaboration behind the project, noting that the Busan International Film Festival supported its post-production, with final editing and colour correction work completed in Seoul, South Korea.
Adding a Latin American perspective, Argentinian director Luis Sorraquin, whose thriller Kissing Bug is being showcased at IFFK, offered high praise for the festival's atmosphere. He pointed out that what sets IFFK apart is the deeply ingrained film culture of Kerala itself. Sorraquin contrasted this with the funding challenges back home, remarking, "In Argentina, film institutions typically provide only about 30% of a film's budget as funding," while expressing concern over recent funding restrictions.
IFFK's Enduring Global Legacy
Moderator Meera Sahib provided historical context to Sorraquin's presence, noting that Argentinian cinema has been an integral part of IFFK's programming since 1999. This long-standing relationship underscores the festival's commitment to curating a diverse and globally representative selection of films year after year. The discussions at this year's edition not only celebrated cinematic art but also frankly addressed the economic and political realities filmmakers confront worldwide, from Tehran to Buenos Aires.
The convergence of these narratives in Thiruvananthapuram reaffirms IFFK's position as a vital platform for independent cinema. It facilitates not just the screening of films but also crucial dialogue between creators and a passionate audience, fostering a unique ecosystem that international directors clearly value and admire.
