Actress Anjana Sukhani has joined the ongoing conversation about the objectification of women on screen, applauding Janhvi Kapoor for her brave stance regarding her role in the recent Ram Charan-starrer 'Peddi'. In a recent interview, Sukhani stated that while she personally never faced exploitation or objectification during her work in South Indian cinema, she greatly admires those advocating for systemic change. Her comments come as her latest film 'Main Vaapas Aaunga' enjoys a steady box office run, grossing Rs. 21.85 crores globally in its first week.
Anjana Sukhani on Objectification
Acknowledging the broader debate, Sukhani said she is aware of the concerns raised and appreciates those who have spoken openly. She specifically praised actresses who have voiced their discomfort and stood up for themselves. Speaking to Mid Day, she remarked, “I personally didn't go through that at all maybe because my films were not like that. But I have heard about the controversy that's going on. I guess that's a battle that you have to fight. I am just so glad that Janhvi stood up for it and fought for all the women who are going to come in line, you know, or who feel objectified. They also will not have the courage to get up and say, ‘I am not comfortable.’”
Anjana Sukhani on Working with Naseeruddin Shah
Sukhani also reflected on collaborating with veteran actor Naseeruddin Shah in 'Main Vaapas Aaunga'. The actress admitted she initially felt intimidated by the acclaimed performer due to his stature and reputation. She noted that Shah remained deeply invested in his character during filming, and she was careful not to disturb his creative process, preferring to give him space while he prepared for emotionally demanding scenes. “I definitely would say I was intimidated by Naseer Saab because he is a legend and his character was also very intense, so there was not much of conversation that I could do with him because I also didn't want to break his space of, you know, what he's feeling as a character is,” she explained. Adding, “You don't want to break somebody's emotion and intervene because it takes a lot to build up something like that.”
